The diploma to which Mountainhead, HBO’s new black dramedy from Succession creator Jesse Armstrong, will make you chortle relies upon nearly solely on how a lot information you devour about tech billionaires who see themselves as übermensch chosen by destiny to form the arc of historical past. The extra time you’ve spent listening to Silicon Valley sorts wax poetic about actuality being a simulation, “common fundamental compute,” and the way humanity is a “organic bootloader” for synthetic intelligence, the much less Mountainhead’s CEO characters come throughout as being amusing caricatures. However in the event you’re a part of the fortunate bunch that has by no means bothered listening to billionaires insist that they’re going to realize immortality in preparation for colonizing Mars, Mountainhead may strike you as an incisive send-up of the uber-wealthy oligarch class.
Particularly on this second the place we’ve all been capable of watch a number of the world’s richest tech overlords prostrate themselves earlier than Donald Trump in hopes of amassing much more energy, the film’s depiction of tech bros flirting with the thought of taking on the world appears so believable that it nearly doesn’t work as satire. However every of Mountainhead’s lead performances is infused with a manic, determined power that makes the movie really feel like an articulation of the concept that, if you strip all of the self-aggrandizing mythos away, billionaire founders are simply individuals with sufficient cash to make their anxieties and insecurities everybody else’s downside.
Although it’s narrative territory we’ve seen Armstrong discover earlier than, Mountainhead is not any Succession. In comparison with Armstrong’s extra expansive episodic work, there’s a breathless urgency to his first function that displays the velocity with which he wrote and shot it. However the movie does make you recognize how harmful and divorced from actuality right this moment’s titans of trade are typically when left to their very own gadgets.
Set nearly solely in a palatial lodge nestled excessive up within the Utah mountains, Mountainhead revolves round a quartet of absurdly rich frenemies who come collectively for a weekend of relaxation, leisure, and metaphorical dick measuring whereas the remainder of the world hurtles towards a doomsday state of affairs.
On some degree, social media tycoon Venis (Cory Michael Smith) is aware of that the brand new generative AI instruments rolling out on his Twitter-like platform, Traam, have the potential to incite chaos by feeding individuals deepfaked footage designed to maintain them offended and endlessly scrolling. Venis has seen the information studies about a number of outbreaks of violence focused at immigrants and ethnic minorities. He’s additionally heard commentators linking his creation to a widespread erosion of belief on a societal degree. However together with his internet price at an all-time excessive, it’s straightforward for the twitchy CEO to disregard all that unhealthy press and dismiss the disturbing imagery flooding Traam.
Much like Mission: Inconceivable — The Last Reckoning, Mountainhead frames AI’s means to obfuscate the reality and manipulate individuals’s perceptions of actuality because the sort of menace that ought to give everybody pause. However reasonably than telling a narrative about people racing to cease a tech-driven apocalypse, Armstrong is far more concerned with exploring the methods wherein synthetic intelligence’s potential for hurt is straight related to the worldviews of those that create it.
Venis isn’t the one tech mogul able to roll his eyes as Traam’s AI continues to stoke unrest and violence across the globe. Virtually all of his closest buddies — a small group of males who name themselves the Brewsters — really feel precisely the identical means. James (Steve Carell), a steely Steve Jobs sort who refuses to just accept the truth of his terminal most cancers prognosis, sees Traam’s reputation as an indication that Venis is on the suitable path and setting himself as much as nook the market on digitizing human consciousness inside a decade.
Though Jeff (Ramy Youssef), the creator of a rival AI toolset that may reliably establish deepfakes, has gone on the podcast circuit understandably trash-talking Venis, he can’t deny that Traam’s harmful slop has led to an exponential development of his personal valuation. And because the “poorest” member of the Brewsters, multimillionaire well being nut Hugo / “Soup Kitchen” (Jason Schwartzman), is greater than prepared to cosign principally something his buddies do. A few of it boils right down to Soup’s want for an inflow of money for his subsequent enterprise enterprise — an ill-conceived wellness and meditation app. However the deeper fact that Armstrong repeatedly highlights is that teams just like the Brewsters all the time want somebody round who’s prepared to play a sport of boar on the ground or eat a soggy biscuit to make themselves really feel like they’re all having an excellent time.
The will to have an excellent time is ostensibly why Soup invitations the opposite Brewsters to return spend the weekend at Mountainhead, his drearily stylish trip dwelling that reeks of latest cash and a juvenile obsession with Ayn Rand. However as soon as the group has gotten collectively and despatched their assistants — many of the film’s sparingly few ladies characters — away, it isn’t lengthy earlier than the boys’ deep-seated resentments of each other begin effervescent to the floor. And when the unnamed president of the USA calls up Venis and Jeff to debate how the Traam deepfake scenario is getting worse by the minute, the group takes it as an indication that they is likely to be taking a look at a chance to play and win a sport of actual IRL Danger.
Picture: HBO
Given how comparatively few locations it bodily takes its characters, Mountainhead does a strong job of not feeling like a claustrophobic play about delusional billionaires beefing on prime of a mountain. Few of the Brewsters’ digs at one another are really laugh-out-loud humorous, however what’s spectacular is how every of the characters seems like a definite embodiment of the tradition that gave delivery to the trendy celeb tech founder archetype. Armstrong desires us to see these individuals as ghouls who’re past excessive on their very own provides, but in addition as profoundly damaged males whose fixations on biometrics and being seen as sigma males communicate to a deeper sense of inescapable inadequacy.
Issues like James’ tense relationship together with his private physician and the odd, vaguely homoerotic sport of wits Venis and Jeff begin to play in Mountainhead’s third act are intriguing. However they’re additionally a part of what makes the movie really feel prefer it might need been extra compelling as a miniseries with sufficient time and house to indicate us extra of how the Brewsters transfer by means of the world and what apart from their cash would make these 4 males need to spend time with each other.
Simply when Mountainhead begins to get juicy and unhinged, it rushes to a dramatic climax that feels right-minded, however untimely. It’s nearly as if Armstrong means to go away you unhappy as a means of emphasizing how individuals just like the Brewsters seldom get what they actually deserve. As a chunk of eat (and ogle) the wealthy social commentary, Mountainhead works advantageous in the event you’re craving a cheeky, surface-level indictment of tech barons who fancy themselves as gods. However in the event you’re searching for one thing extra dramatic and substantive, you is likely to be higher off simply studying the information.
Mountainhead additionally stars Hadley Robinson, Andy Daly, Ali Kinkade, Daniel Oreskes, David W. Thompson, Amie MacKenzie, and Ava Kostia. The film debuts on HBO Could thirty first.
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