Fender has launched a free new recording app referred to as Fender Studio that appears fairly highly effective. The app, obtainable on iOS, Android, macOS, Home windows, and Linux, helps multitrack recording and presents a bunch of results that emulate guitar pedals and several other of the corporate’s iconic amplifiers through the years.
Among the simulated amps embody a 1965 Fender Twin Reverb and a 1959 Fender Bassman, however you may get extra, like a Fender Tremendous-Sonic or Tube Preamp, in the event you join the app to a free Fender Join account. It’s the identical story with pedals: you get choices like Overdrive and Small Corridor Reverb to begin, however you possibly can unlock others like a Stereo Tape Delay and Classic Tremolo by registering.
Along with the simulated amps and pedals, the app has quite a lot of fundamental results like reverb, delay, compression, and vocoder. You should use as much as eight tracks for multitrack recording, however registering the app will get you as much as 16 tracks.
The app additionally comes with a couple of pre-recorded tracks to mess around with. You may’t use them commercially — the app makes you conform to a license settlement that claims so proper on the high — however they’re a great way to familiarize your self with what it’s able to.
I performed round somewhat bit with Fender Studio on my iPhone earlier than penning this story. At first look, it’s much like Apple’s GarageBand app. Each allow you to use results that mimic traditional amplifiers and pedals, have issues like built-in tuners and metronomes, and embody a variety of completely different results and EQ choices.
However Fender’s app feels extra intuitive and makes higher use of the cramped area of a smartphone display screen, with assist for each panorama and portrait orientation (GarageBand solely works in panorama). I discover that I can by no means keep in mind the right way to do issues in GarageBand, and attempting to determine it out every time is irritating sufficient that I by no means bothered to develop a workflow for recording with it.
I’ve additionally all the time been a sucker for simulated amplifiers in recording apps, one space of software program that by no means actually gave up on skeuomorphism. I haven’t used a Twin Reverb in a few years and haven’t performed by a Bassman, however simply recording with a hollow-body guitar by my iPhone’s built-in mic — when you’ve got a USB-C DAC, you should utilize that to report with a extra skilled mic, too — the impact was first rate sufficient that I may see utilizing it to conceptualize a recording and even make a fast backing monitor for a video on TikTok.
{content material}
Supply: {feed_title}
